The legendary material to which he refers is the story of Oedipus. The Greek tragedy tells of the child of Laius, King of Thebes, and his wife Jocasta. The oracle foretold to Laius that his newborn son, Oedipus, would kill him and marry Jocasta, and so Laius ordered the child to be put out to die. But Oedipus was rescued and raised in an alien court. When he came of age, Oedipus too learned from the oracle that he was destined to kill his father and marry his mother. And so he left the family he knew. On the road he met a man whom he slew in a quarrel, and when he traveled on he came to the town of Thebes, whose king had just been slain on the road. The town was suffering under the spell of a sphinx, and when Oedipus was able to remove the spell, he was rewarded by the Thebans by being made their king, and given for his bride their queen Jocasta. To the ignorance of all, the oracle was fulfilled.
The drama of Oedipus as written by Sophocles portrays the gradual revelation of the truth to Oedipus, to his eventual horror. It was Freud’s contention that the power of this drama from Greek to modern times results from the fact that it expresses impulses that the audience shares with Oedipus, but of which they, too, are ignorant and would be horrified to learn. In later years Freud gave the term oedipus complex to this pair of impulses he thought universal in children: love toward the opposite-sex parent and
hostility toward the same-sex parent as a rival for that love. As humans, Freud argued, we are born with impulses toward sexuality and aggression, and these impulses find infantile expression in our earliest relations with the figures closest and most important to us.
Taken from :PSYCHOLOGY’S GRAND THEORISTS How Personal Experiences Shaped Professional Ideas - Amy Demorest
